THE YOUNG RAJAH
Starring Rudolph Va;lentino
MOTION PICTURE MAGAZINE
February 1923

Rodolph Valentino also came to the screen again this month. After witnessing "The Young Rajah," in which he is starred, we begin to understand many things, principally among them why Mr. Valentino desired to select his own casts.

And if it wasn't that we remembered from our nursery days that "Two wrongs do not make a right," we would be sorely tempted to applaud Rodolph Valentino for refusing to continue with his contract. At any rate, while we may still disapprove of him ethically, we sympathize with him emotionally. All of which has probably led you to believe that this is a pretty bad picture. It is. It is about as artistic and as satisfying as a cheap serial. As a matter of fact, it is the concentrated essence of those things which have composed serials since time immemorial.

"The Young Rajah" is based on the novel, Amos Judd. It tells of Amos who has been reared in a provincial American town. Then there is the Far East with its rajahs and its maharajahs. Amos really belongs to the East. Furthermore, he belongs to a line of its rulers, and he has inherited the sixth sense bestowed by one of the Indian gods upon the sons of this noble family. It is this sixth sense which serves him well when the usurpers of this kingdom learn of his existence in America and threaten his life.

Even The Valentino is somewhat submerged in the mediocrity of this production. Of the supporting cast Charles Ogle is the one member who stands forth with any degree of effectiveness.


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